Millions of years ago when I was in school, I read The Handmaid’s Tale. And I’ll confess–as with all of Margaret Atwood’s works, it gave me the creeps. I don’t remember every precise detail of its story. However, I still have enough of it with me to recall its overarching themes. It deals specifically with women’s reproductive rights and the horrors of living in a society where our agency has been removed.
Flash forward to today. A TV adaptation is about to be released. And something is amiss in the way the actors are discussing their material.
Last night I read some tweets* by a reporter who was present at a screening. Her words made me do a double-take. Then earlier today, I read this piece on Vulture’s web site. Elizabeth Moss, who plays Offred said
“Honestly, for me it’s not a feminist story — it’s a human story, because women’s rights are human rights. I never intended to play Peggy as a feminist; I never intended to play Offred as a feminist. They’re women and they are humans…”
A part of me feels terrible. I don’t want to make assumptions about Ms. Moss. If that’s how she feels about The Handmaid’s Tale, that’s her right. But from what I read on Twitter, she wasn’t the only cast member attempting to disown her show’s heritage.
At this point I’d like to offer the film and television industry’s PR people some advice.
Firstly, “feminism” is NOT a dirty word. It is nothing to be ashamed of. The people who think it’s divisive are probably the same people who think that it’s wrong to talk about racism.
But that’s another rant for another time…
I agree completely with the Vulture piece’s opening. We’re at an interesting point in human history. A reality-TV star is president. Still, even before he was elected, people were taking to the streets–and their keyboards–unafraid to take a stand against injustice. In that light, I’d like to argue that it is more than safe for an individual to own who and what s/he is.
The same can be said for our works of art. Reading Ms. Moss’s words, I couldn’t help but wonder if the Tale’s actors were coached to deny the production’s feminist overtones. I’d like to know why. Are producers afraid of offending their audience?
Take it from me as a Black person: Not everything is for everyone. There are folks out there who will reject you for your inherent traits. Why not revel in your production’s uniqueness? Downplaying something that is so obvious to onlookers, such as The Handmaid’s Tale’s feminist elements makes you look cowardly and dishonest.
Furthermore, it’s not necessary. Your work will draw the audience that it is meant to have, period–regardless of their gender or political stance.
Denying The Handmaid’s Tale’s feminist themes is like saying Roots has nothing to do with Black people. I don’t see what the point is in dancing around the obvious, other than an attempt to win over a disinterested audience.
If that’s the case, I have the feeling that the Tale’s producers are in for a very rude awakening. And like those who regret voting for you-know-who, when certain folks have an epiphany, it won’t be pretty.
*In case you think I’m weird with my,”Someone on Twitter said something….” check out this Vanity Fair piece. I Googled after I wrote my post and the title says it all.