The brainchild of Emily Mills,How She Hustles is a women’s network that’s been thriving for nearly 7 years. Their events are a celebration of sisterhood. Bringing together women of diverse backgrounds, How She Hustles encourages women to connect, and enjoy each other’s company.
In December, Ms. Mills announced that she was working on a project called HERstory in Black. Back then I didn’t know any of the details. I only knew it involved an act of faith that hadn’t yet been actualized. Since that time, her vision has been made plain: HERstory in Black is a digital photo series celebrating 150 Canadian Black women. It is now featured on CBC Toronto’s web site. Further more, this week, the women who participated in the shoot for this historic series will also be profiled via CBC Radio, and the CBC News Network.
HERstory in Black is meaningful to me for many reasons. The first thing that comes to mind is representation. As Bee Quammierecently pointed out, usually Black Canadians are taught about Black American role models. Meanwhile, our community’s trailblazers have always been right here at home. They deserve to be recognized.
Furthermore, it’s incredibly empowering to see people who look like you succeeding. Watching their progress can give you faith enough to believe that all of your dreams are possible. When I see so many Canadian Black women out there, at their best in diverse industries, I am overcome with joy!
So who are some of the people who helped turn this project into a reality?
Allow me to introduce you to two gifted photographers.
Photo credit: Ebti Nabag
A graduate of Ryerson University’s graduate program in Documentary Media, Ebti Nabag is a visual artist who works with photography, video, and installation. Her work is motivated by stories from the average human. Nabag’s previous exhibits include Movement in Tradition: Tobe (2016), Vitiligo at the AGO (2015), Intersections (2014) featured at the Contact Photography Festival, and I Am Not My Hair (2012).
She hopes her documentations serve as bridges between people.
Photo credit: Leilah Dhoré
In 2013, Leilah Dhoré made her debut in a collaborative photo exhibition called ‘Exposed: Telling Our Stories Through Our Lens’. She is also the proud recipient of Gallery 44’s David Maltby Award. Leilah is currently majoring in Photography at OCAD University, with a minor in Art and Social Change. She continues to explore how her identity — and various layers of life experience — influence her creative mindset.
These young women shot all of HERstory in Black’s gorgeous photos. Recently I asked them about their involvement in this extraordinary project.
Tell me about your journey into the world of photography. What inspired you to get started?
Ebti: I always knew I was a creative person, I just didn’t know how to express myself creatively. I could draw but I wasn’t the best at it and it didn’t come as naturally for me as it did my classmates. It wasn’t until I took a year off after my bachelor’s degree that I picked up a camera and decided to really explore the art of taking photographs. That was about 7 years ago. A few years after that I decided to get a formal education in Documentary Media, film and photography. Documentary photography has been my main interest since then.
Leilah: I grew up with an artsy mom who encouraged me to explore various art forms. My creative childhood lead to being accepted into the Visual Arts program at Wexford Collegiate School for the Arts. I had to pursue my interest in photography outside of school through youth programs, which is how I discovered analog photography. The process of learning how to take analog photos and develop them in a darkroom furthered my appreciation for the medium and that’s where I found a passion for it. From there I decided to apply to OCAD University and I am now an undergraduate, third year Photography major.
What was it like to take these photos and capture 150 women for HERstory in Black?
Ebti: Insane! Looking around the room alone was extremely overwhelming. Some women I recognized from television, theatre, poetry shows, etc. Seeing women from all walks of life and hearing their stories after I captured their group photos was empowering.
Leilah: I really just wanted everyone to feel comfortable in front of the camera and to be happy with the way I captured them. I was a bit nervous at first, but I was so overjoyed to feel everyone’s energy. We were all excited to meet each other and be there together. Being in a room full of so many brilliant, beautiful, Black women is a really intense and powerful experience in and of itself. It was a really fulfilling experience to meet and document black women on so many different career paths, especially having grown up without seeing a lot of that kind of representation.
What do you hope people will see when they look at the images from this project?
Ebti: That we, Black women, are glorious. These photos are a documentation of our existence, our stories, our greatness, and I really believe they should be archived. Often times Black women are misrepresented or not represented at all, and this project puts all those misrepresentations to rest.
Leilah: I had always struggled to navigate the intersections of my blackness and womanhood and understand what my place is in a society that doesn’t appear to value black women. From celebrities like Beyoncé to millennials taking over the internet, black women have created our own platforms to express that we are realizing our own brilliance even if the world hasn’t. I believe this project is documenting just that. Aside from highlighting the diverse amazing things black women are accomplishing in Canada, I really hope people are able to recognize the shared power that brought us together and understand why this kind of project is so important.
I’m often blown away by the way a single photograph can tell a story. What sort of stories did this experience reveal to you?
Ebti: Two things. One: there is no limit to what women can do when they unite. Two: I couldn’t help but think of how empowering, encouraging and reassuring hearing the stories of these women would have been for me at a young age, especially as a young Black woman growing up. That room really screamed “the sky is the limit”! Young Black women need to be exposed to these positive representations of Black women.
Leilah: The individual photos have a different storytelling purpose from the group photos for this photo series. I believe they capture the diversity amongst black women and function to show us who each woman is as an individual. The group photos show us what black sisterhood and community can look like and the amount of passion, love, and energy that goes into making a project like this happen collectively.
HERstory in Black is bound to influence and inspire other women. Tell me about someone who inspires you.
Ebti: My parents. My father grew up in academia. His work ethic, drive and achievements are things I look up to. My mother on the other hand has always been a housewife. Her welcoming heart, kind soul, and love for people easily brings tears to my eyes.
Leilah: It’s difficult for me to just name one individual. I have a particular appreciation for women who defy respectability and live as their authentic selves. There are women who spent their lives giving to their communities, and the ones who are passionate about dismantling the oppressive systems that were built to hold us back. I’ve also come to appreciate the women who aren’t the productive, educated, executives that we are told we should aspire to be. The ones who still give themselves fully and love themselves anyways because they don’t allow an inherently flawed society to define their worth. I see myself in these women’s struggles and successes; they remind me of the love and passion that drives my ambitions.
Suppose you met a young woman who wanted to go into photography. What advice would you give her?
Ebti: This is definitely biased advice, but it would be to document the stories of those who are unseen in the media, whose stories will never be told. I think telling those stories are what bridges humans together, and that’s what I try to do with my photographs.
Another bit of advice would be, differentiate yourself from the rest. Photography is so broad. Once you figure out what you like to photograph, go back and see if there is any pattern in your work and let that be what makes you stand out.
Leilah: There’s so much I could say. I think it’s important to know you don’t have to pursue a higher education to be any type of creative. Not everyone has the privilege of growing up with a family who supports their creative ambitions like I have, so I’ve always encouraged others to pursue what makes them happy. Even if you don’t think you have the means to pursue photography or that you face too many barriers, I honestly believe that if you put your intentions out there, doors will open and opportunities can come to you unexpectedly.
Many brilliant successful creatives even find ways to create opportunities for themselves. The internet is full of resources and learning materials, and Toronto has many free programs available to youth. Depending on the type of photography projects you want to produce you can access funding through grants.
Thank you again to Ebti Nabag, Leilah Dhoré, and of course, Emily Mills. Be sure to follow @howshehustles on Twitter, Instagram, and Facebook for more on HERstory in Black. Above all, be sure to stay tuned to the CBC this week for more programming on this incredible initiative.
The other day I had the chance to sit in on some great conversations about television. One concept that was brought up was the magic that happens when a show “gets it”. That’s when a program is able to connect to its audience by offering a realistic portrayal of its audience’s life.
Currently, I work in education. Apart from a few semi-steady gigs that I do not talk about I have spent the bulk of my time as a substitute teacher. Still. It doesn’t matter if you’ve never taught a day in your life. If you have friends who teach, surely you’ve heard stories. All sorts of crazy things can happen, both in and out of the classroom.
On that note, let me introduce you to Mr. D–a program that airs on my nation’s broadcaster, CBC Television. Here’s a clip from last year…
My first instinct is to say that no teacher is ever that bad when they mark. And yet…I know otherwise.
I love this show! If you haven’t seen it, you don’t know what you’re missing.
Granted, there are some darker aspects of teaching. But I’ve already seen and had a taste of Boston Public. A spoof of some of the lesser-known parts of the profession is a refreshing change.